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  • Cover artwork for Titus Andronicus in the Fifth Folio edition featuring layered folio typography superimposed against an Italian courtyard and wrought garden gate.
  • Shakespeare Titus Andronicus Lavinia scene superimposed over Savannah Georgia night photography beneath southern live oak trees. Southern gothic literary collage artwork combining Shakespearean tragedy, mutilation and silence themes, dark canopy imagery, nocturnal atmosphere, and blue gothic typography.
  • Shakespeare Titus Andronicus Lavinia scene superimposed over Savannah Georgia night photography beneath southern live oak trees. Southern gothic literary collage artwork combining Shakespearean tragedy, mutilation and silence themes, dark canopy imagery, nocturnal atmosphere, and blue gothic typography.
  • In Titus Andronicus, mutilation and revenge become public spectacle. Set against Caravaggio’s Medusa, the scene fuses Shakespearean violence with Baroque horror: severed hands, taunts, and betrayals unfolding beside the frozen scream of the mythic head itself. The circular shield compresses text and image into a single surface of shock, where cruelty is theatrical, intimate, and impossible to escape.
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Titus Andronicus

Titus Andronicus

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Þe Most Lamentable Romaine Tragedie of TITUS ANDRONICUS.

Fall of the Rebel Angels by Andrea Commodi

Shakespeare Titus Andronicus Lavinia scene superimposed over Savannah Georgia night photography beneath southern live oak trees. Southern gothic literary collage artwork combining Shakespearean tragedy, mutilation and silence themes, dark canopy imagery, nocturnal atmosphere, and blue gothic typography.

Shakespeare Titus Andronicus Lavinia scene superimposed over Savannah Georgia night photography beneath southern live oak trees. Southern gothic literary collage artwork combining Shakespearean tragedy, mutilation and silence themes, dark canopy imagery, nocturnal atmosphere, and blue gothic typography.

Apollo and Daphne by Jacabo Pontormo

Cover artwork for Titus Andronicus in the Fifth Folio edition featuring layered folio typography superimposed against an Italian courtyard and wrought garden gate.

The Riccotta Eaters by Vincenzo Campi

Convex portrait Testa di Medusa by Caravaggio

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